Earlier this year, ArtsATL columnist Gail O'Neill launched a 12-part series recognizing the artists elevating our city's arts and culture landscape. It's called the Legacy Series, and the latest profile is of True Colors Theatre Company co-founder and artistic director Kenny Leon.
At 7:35 p.m. Friday, the Atlanta Braves host the San Diego Padres in their first home game of the new season, and in a brand new stadium to boot.
Now in his ninth season, Matthew Kaminski is the official organist of the Braves, no matter where the team calls home. Matthew joined Lois Reitzes on "City Lights" to discuss his brand-new, state-of-the-art suite at SunTrust Park ahead of tonight's game.
Cooking and eating insects is nothing new, but it’s an idea that makes the Western palate squeamish.
No matter how you approach the concept — environmental impact, deforestation, soil acidification, food insecurity, malnutrition, even over-nutrition — the case for adding insects to our diet is strong.
Lois Reitzes spoke with Ebène Quartet cellist Raphaël Merlin about the ensemble's evening of classical, jazz and crossover arrangements. Merlin told Reitzes that when it comes to approaching seemingly disparate styles of music, he cites the wisdom of (fellow classical/jazz/crossover musician) Nigel Kennedy:
The Atlanta Opera's production of "Don Pasquale" sets the comic opera gem in the golden era of Hollywood. The title character, played by Burak Bilgili, is an aging silent film star at the sunset of his career.
For his 14-year long career as a special education teacher, Andy Jones was also involved with Atlanta's improv and theater scenes. Now Jones has married his former double lives in a new career, offering improv classes to children and teens with learning disabilities and other learning differences.
As the 20th century drew near in Ireland, a new nationalist cultural revival stirred. It would come to be known as the Irish literary renaissance and would change modern Irish history. The waves of that cultural sea change continue to ripple across the Irish and Celtic Diaspora.
The Alliance Theatre will bring down the house — quite literally — as it soon begins a major, year-long renovation. The work should result in a theater space that's more accessible as well as acoustically refined.
Bernhard got her start in the 1970s, working the stand-up circuit where she first debuted her signature brazen sense of humor. Now, she’s back on the road with a new show, “SANDRA MONICA BLVD: Coast to Coast.”
Jerry’s Habima Theatre is Georgia’s only theatrical company directed and produced by professionals, featuring actors with special needs ages 18 and up. For 24 years and counting, the company stages a Broadway-style musical, and this year’s production is “The Wizard of Oz.”
A new documentary aims to tell the story of chocolate, bean to bar.
Filmmaker Tim Shephard followed a group of craft-chocolate makers into the jungles of Peru as they sought to strengthen relationships with farmers and identify new varieties of cacao to introduce into the U.S. market.
“The Arts are alive and well at Georgia Tech.” That’s a direct quote from Madison Cario, the Director of the institute’s Office of the Arts. Many Atlantans are surprised to hear that the arts have a home on the Tech campus, let alone a dedicated office.
Dan Kamin is on a mission to remind audiences of the genius of Charlie Chaplin. In his one-of-a-kind program at Spivey Hall, Kamin screens a newly-restored version of Chaplin’s 1916 movie “The Pawnshop,” complemented with storytelling, film clips and live performance.
The Atlanta Daily World is the nation’s oldest daily African-American newspaper. Alexis Scott is not only the descendant of the paper’s founder, William Alexander (W.A.) Scott, she was the “World’s” publisher for 17 years.
He tours nationally, headlines festivals and records bestselling comedy albums. In fact, Kondabolu’s latest album, “Mainstream American Comic,” hit No. 1 on the comedy charts last summer. Yet there’s more than a little twinge of irony in the album's title.
After an unusually mild winter, Georgia’s own groundhog General Beauregard Lee predicted an early spring. While his prediction has proven correct – so far – a more reliable sign of spring is the sight of daffodils blooming after a months-long hibernation.
If you’ve been downtown in the past couple of weeks, you may have seen thousands of these bright yellow flowers blooming from Woodruff Park to the campus greens of Georgia State University.
The Atlanta Opera is near the end of their wildly successful, sold-out run of Astor Piazzolla's tango opera, "Maria de Buenos Aires," on stage at Le Maison Rouge in Paris on Ponce. The company's General and Artistic Director, Tomer Zvulun, is largely responsible for such productions, and he says the upcoming Atlanta Opera season continues to represent their strategic direction.
In an interview on “City Lights” (posted above), Lois Reitzes spoke with Zvulun about how the 2017-2018 season represents his vision for Atlanta’s major opera company.
In about a month, we'll learn the winner of the third annual Tiny Desk Contest, the songwriting and performance contest from the creators of NPR's Tiny Desk Concerts.
Last year, the six judges received over 6,000 entries, listening for what host Bob Boilen identified as "something singular, a song and sound that felt original, and a performance that felt inspired." In the end, the judges’ decisions were unanimous: Gaelynn Lea of Duluth, Minnesota.
Alphabet books are simple in concept and in structure – a tidy, ordered sequence of the letters of the alphabet, from A to Z.
“Innovative” is not a word one would usually associate with alphabet books, so it’s with some distinction that the Washington Post called one such book, “ABC3D,” "easily the most innovative alphabet book of the year, if not the decade.” The first thing that stands out – quite literally – about “ABC3D” is that it’s a pop-up book.
That’s the rallying cry of Atlanta Falcons fans as the hometown football team prepares to take on the New England Patriots in Super Bowl LI.
“Rise Up” also happens to be the title of a gospel song written by a rabbi and embraced by Atlanta’s most prominent and historic African-American congregations.
Rabbi Micah Lapidus is the Director of Jewish and Hebrew Studies at The Davis Academy in Dunwoody. It’s really in his work as a composer, however, that Lapidus carries on the tradition of interfaith dialogue in Atlanta.